Lyrically rooted. Dramatically forged.
Brett
Sprague
HELDENTENOR · OPERA & CONCERT
Brett Sprague brings the same vocal beauty, dramatic commitment, and intellectual rigor to opera and concert repertoire alike, building a career defined by lyric warmth carried at true dramatic scale and by a deep relationship to text and score.
© Photo: Katie Loff
WHAT'S NEXT
Role & house debut
Erik · Der fliegende Holländer
Hessisches Staatstheater Kassel
September–December 2026
Role & house debut
War Requiem
Philharmonisch Orkest Zuid-Nederland
October 2026
Role & house debut
Siegfried
Opéra de Monte-Carlo
April 2027
BIOGRAPHY
Lyrically rooted.
Dramatically forged.
Guest houses & orchestras
Op éra de Monte-Carlo
American heldentenor Brett Sprague has emerged as a compelling and distinctive presence on the international stage, an artist whose work sits at the intersection of lyrical refinement and dramatic power. Praised for his fearless dramatic instinct, psychological depth, and extraordinary stamina, he is an artist who shapes characters from the inside out, brought to life with a rigorous textual intelligence that matches his vocal command. For Mr. Sprague, the stage knows no compromise.
Siegfried (Title Role in House Debut)
Semperoper Dresden
Hoffmann (Title Role in House Debut)
Luzerner Theater / Lucerne Festival
The 2027 season marks a watershed moment: his title role debut as Siegfried at the Opéra de Monte-Carlo, the visionary at the heart of Wagner's Ring, and the clearest expression yet of the territory toward which his artistry has been building, alongside engagements as Erik in Der fliegende Holländer at both Luzerner Theater and Hessisches Staatstheater Kassel. He will also remount the highly successful production of Ethel Smyth's The Wreckers in Karlsruhe, as Mark, a performance that earned critical acclaim drawing comparisons to the orchestral, vocal, and dramatic demands of Wagner's Tristan. Concert debuts are set to include Britten's War Requiem and Serenade for Tenor, Horn, and Strings with the Phil Zuid in the Netherlands, Carmina Burana with the Philharmonia Orchestra at London's Royal Festival Hall, and A Faust Symphony with Theater Orchester Biel Solothurn.
2026 - 2027 & beyond
Peter Grimes (Title Role in House Debut)
Hessisches Staatstheater Kassel
Erik · Der fliegende Holländer
Badisches Staatstheater Karlsruhe
Mark · The Wreckers
Croatian National Theater Rijeka
Loge · Das Rheingold
2024 - 2026
The 2025/26 season confirmed his arrival on the international stage with a house debut at Luzerner Theater as Peter Grimes, performed as part of the world-renowned Lucerne Festival. Critics hailed the portrayal as "a flawless combination of dramatic force and tenor lyricism of ravishing beauty" praising his "boundless vocal resources and commanding presence" and calling him "an artist of the highest caliber." Grimes is a role that demands equal measures of vocal heroism, psychological complexity, and physical endurance, precisely the territory where Mr. Sprague's artistry lives, a singer for whom music and theater are inseparable.
As a member of the ensemble at Badisches Staatstheater Karlsruhe, Mr. Sprague made his debut in the role of Mark in The Wreckers in a highly praised production led by Keith Warner. Other highly successful roles include his portrayals of Lensky in Eugene Onegin and the Chevalier de la Force in Poulenc's Dialogues des Carmélites and the title role in Lili Boulanger's Faust et Hélène, a performance praised for its Wagnerian orchestral and vocal demands. He also performed Lysander in Britten's A Midsummer Night's Dream, deepening a long artistic affinity with the English vocal tradition. As a concert soloist, he has built a parallel reputation for programs of rare ambition and interpretive intelligence, most recently presenting On Wenlock Edge with the Philharmonisches Orchester Erfurt and a solo recital dedicated to twentieth-century English song. Symphonic engagements have included Carmina Burana with the Oslo Philharmonic, reflecting the breadth of a career that moves fluidly between the operatic stage and the concert hall.
Staatstheater am Gärtnerplatz
Lord Barrat · Der junge Lord
Philharmonisch Orkest Zuid-Nederland
War Requiem (Britten)
Serenade for Tenor, Horn, and Strings (Britten)
London Philharmonia
Carmina Burana
Oslo Philharmonia
Carmina Burana
Göteborgs Symfoniker
Carmina Burana
National Filharmonia of Poland
Carmina Burana
Tampere Filharmonia
Carmina Burana
2019 - 2024
From 2019 to 2024, Mr. Sprague was a member of the ensemble at Theater Erfurt, where he made a series of significant role debuts, most notably the title roles of Peter Grimes, Les contes d'Hoffmann, and Orestes in Felix Weingartner's rediscovered masterpiece, a performance for which he was praised for "Siegfried-level stamina and dramatic command." Other roles during his time in Erfurt included Ismaele in Nabucco, King Karl VII in Orelanskaya Deva, Prinz Gwidon in Das Märchen vom Zaren Saltan, and Nicolas Gage in the World Premiere of Eleni. Among his most celebrated guest appearances, his title role debut as Hoffmann at Semperoper Dresden stands as a landmark engagement, alongside performances at the Croatian National Theater and Staatstheater am Gärtnerplatz in repertoire spanning Britten, Wagner, and Henze. As an orchestral soloist, he appeared with the Göteborgs Symfoniker, National Philharmonic of Poland, Tampere Filharmonia, Oslo Philharmonic, and Sinfonieorchester St. Gallen, among others.
Konzert Theater St. Gallen
Serenade for Tenor, Horn, and Strings (Britten)
Theater Orchester Biel Solothurn
A Faust Symphony (Lizst)
Beginnings
Before relocating to Europe, Mr. Sprague performed widely across the United States, including as a soloist at Carnegie Hall and with Opera Colorado, Indianapolis Opera, and Chautauqua Opera, among others, both in traditional operatic repertoire and the creation of new operatic works. Major role credits include Don José in Carmen and Tamino in Die Zauberflöte, among others. Mr. Sprague received his Master of Music degree from the Manhattan School of Music and his Bachelor of Music from Chapman University's Conservatory of Music, he is a regional prizewinner of the Metropolitan Opera National Council Auditions.
SCHEDULE
Engagements 2026–2027
Upcoming
Principal role
A Midsummer Night's Dream
Lysander
Badisches Staatstheater Karlsruhe
New Production
Concert soloist
War Requiem
Tenor Soloist
Philharmonisch Orkest Zuid - Nederland
Role & house debut
Concert Soloist
A Faust Symphony
Tenor Soloist
Theater Orchester Biel Solothurn
Role & house debut
Wiederaufnahme · revival
Die Fledermaus
Eisenstein
Hessisches Staatstheater Kassel
Role & house debut
Wiederaufnahme · Revival
The Wreckers
Mark
Badisches Staatstheater Karlsruhe
Concert soloist
Serenade for Tenor, Horn, and Strings
Tenor Soloist
Philharmonisch Orkest Zuid - Nederland
Principal role
Der fliegende Holländer
Erik
Hessisches Staatstheater Kassel
Role debut
Concert Soloist
Carmina Burana
Tenor Soloist
London Philharmonia - Royal Festival Hall
house debut
Audio
Siegfried - Act 1, Scene 3 (Selections)
Richard Wagner
Studio Recording
Bacchus - Excerpts
Ariadne auf Naxos - Richard Strauss
Studio Recording
Is my team ploughing
On Wenlock Edge - Ralph Vaughan Williams
Live Concert Recording
Vox Celestis (A Voice from Heaven)
World Premiere Recording - Nestor Taylor
Live Recital Recording
CRITICAL Acclaim
What the press says
OPERNWELT
Peter Grimes · Luzerner Theater · Lucerne Festival, 2025
“
"The tenor is capable of everything vocally - from tender, aching colors to outbursts of furious despair."
Concerti.de
"Oscillating between choleric brute and searching dreamer, he drew from the role both eruptive dramatic force and tenor lyricism of ravishing beauty - most memorably when he sang of the starry sky and set out toward a distant future."
Die Rheinpfalz
"The role of the young fisherman Mark is especially characterized by elements of 'folksong' and balladry, which inspire the American tenor Brett Sprague to deliver extraordinarily lyrical performances. At the same time, this newcomer to the Karlsruhe opera ensemble rises vocally in the duets with Thirza to a level that immediately brings to mind the intoxicating second act of Tristan."
Webtheatre.fr
"His rendering of Peter's major solos, his total immersion in music that is at once searingly poignant and violently charged, and his ability to convey the essential message of composer and librettist alike - the tragedy of solitude, but also the striving toward a reality beyond the tangible, the only escape from emotional ambivalence - reveal an artist of the highest caliber."
Das Opernglas
"In his first performance in Karlsruhe, the American tenor Brett Sprague presented highly promising material, currently situated in the extended spinto repertoire. He impressed with beautifully shaped musical phrasing, nuanced singing, and security of the high notes."
Photo Gallery
Production photos
A selection of images from the stage. For high-resolution files for press use, please contact management.
PRESS KIT
Materials & Downloads
All materials available for immediate download. For high-resolution production photography or additional requests, please contact management or Mr. Sprague directly.
Biography
For Press use, in English (500 Words)
PDF · Updated 2026
Repertoire list
Opera, concert and oratorio repertoire - current roles and priority debuts.
PDF · Opera & concert
For production photos, additional press materials, or interview requests, please contact Kalle Kanttila · Kanttila Management or reach Brett directly using the contact form below.
GET IN TOUCH
Contact & Management
For engagements, artistic inquiries and press requests, please contact through management. Direct enquiries are also welcome.
Management
Kalle Kanttila · Kanttila Management
Agency enquiries
info@kanttilamanagement.com
Direct
brettspraguetenor@gmail.com
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This form goes directly to Brett. For urgent matters please contact Kanttila Management directly.








